Showing posts with label Matthew H. Jones. Show all posts
Showing posts with label Matthew H. Jones. Show all posts

Saturday, July 20, 2013

The Music Of Kid Silver: Alone


I wanted to share some of the musical influences that guided me while I worked on Kid Silver: Alone.

 

1.)   Bottom of the River: Delta Rae’s “Carry The Fire” –


 

Hold my hand.

Oh baby, it’s a long way down to the bottom of the river.

Hold my hand.

It’s a long way down. It’s a long way down.

 

I heard this song for the first time on VH1. It was a part of the rare music video blocks that occur in between shows about drunk women slapping each other. It’s this eerie soul-filled song with diluted echoes of field Hymns. There’s this call-and-response, call-and-response rhythm that expresses, at least to my ears, a desperation and seduction. I don’t know how Kid Silver: Alone and Bottom of the River fit together, but they do. Like chocolate and potato chips, it shouldn’t work but it does. Possibly, it has something to do with Maxwell’s descent into darkness. The seduction of the gummy, tan Heroin on the tip of his finger. Were he to snort it up his nose, it’d go a long way down…a long way down.

 

2.)   Die Young: Ke$ha’s “Die Young- Single”

 

I hear your heartbeat t


to the beat of the drums.


Oh, what a shame that you came here with someone.


So, while you’re here in my arms


Let’s make the most of the night

Like we’re going to die young.

 

This one’s a little embarrassing and a little obvious. Elena dies young in the novel and for some reason, this spoke to her death. Elena died the way she wanted to. She died fighting and she died loved. This song is about someone living like they were going to die the next day. I don’t want to attribute some philosophical depth to a Ke$ha song, but this song, in particular, isn’t exactly philosophically shallow, either. Also, it’s just crazy catchy. I could easily listen to it on a loop for a solid hour.


 


3.)   Mayday!!!: Flobot’s “Fight With Tools.”


 


Spray paint on the teleprompter

Anchorman says he sees a monster

There are bloodstains on his shirt

They say that he’s gone berserk

 

This song is all about the action. It has this revolutionary feel to it. When you listen to it, you can almost smell the Tear-gas in the air and feel the ground trembling from all the footsteps. Kid Silver is rising up against a force far greater than himself. While listening to it, I felt like I was inside Maxwell’s world, fighting alongside Kid Silver.

 

4.) O Death: Ralph Shelby of the “O Brother Where Art Thou Soundtrack”  

 

O Death.

O Death.

Won’t you spare me over to another year?

Won’t you spare me over to another year?


 

This song is hopelessness  and lonesomeness set to a rhythm . Mr. Shelby isn’t accompanied by any instruments. It’s just his reedy, Southern voice singing about a man pleading with Death, asking if he could live for one more year, one more month, one more week, one more day. Death can not be reasoned with. It can not be bribed. As Kid Silver stares at the wreckage that had been the shipping bay toward the end of the novel… As he hears a man cry out in pain, I hear this song. It’s the song of the lonesome, of the unredeemed.

 

5.)   Wont Back Down: Eminem’s “Recovery”

 

You can sound the alarm

You can call out your Guards

You can fence in the yard

You can pull all the card

But I won’t back down.

Oh, no! I won’t down.

Oh, No!

 

This is a ‘Jock-jams 101’ kind of song. Kid Silver is a powerful character, fearless and unrelenting. Won’t Back Down got me into Maxwell’s mindset. If Kid Silver: Alone is fast-paced, it’s because Eminem was my goad, stabbing me in the back with a pointy stick whenever I slowed down.

 

 

 

 

 

Wednesday, October 31, 2012

Halloween Special: If Vampires Were Real...


What if Vampires were real? Not pallid teenagers wearing all black and sipping on Cranberry Juice or muscle-bound actors who gradually grow doughy as the series go on, but real, live/dead Vampires. What would they look like and how would they behave? I’ve been thinking about it and had been unwittingly researching it for some time.

Trope Number One: A Vampire’s Nest… 


It’s a common trope in vampire lore that vampires band together in packs or nest or families and inevitably, a headstrong vampire approaches the wise and aged leader of the vampires and suggests that humans are merely food.

“Why should we hide in the shadows, draining our victims in secret?” The young, headstrong vampire might ask.

“Because humans would come with their technologies and their wrath and they would slaughter us all. Humans outnumber us. They are 7 billion on this planet and we are but a few.” The wise vampires might respond.

Here’s the issue I have with this line of logic. It makes no sense. Technically, vampires are asexual, in that they only need one to reproduce. According to accepted vampire lore, any human can become a vampire. It could be argued, a bit of a reach, but it could be argued that a human being is a kind of larval vampire.

Certain predators in natures mirror the behavior of eating their own young. Male Cheetahs are known to cannibalize their young, as do spiders, as do Kimono Dragons and many other lizards. These predators share one telling similarity; they live and hunt alone. Solitary behavior would explain why vampires would hold such sparse numbers. This, of course, means that, in real-life, there would be no such thing as a nest of vampires.

Trope Number Two: Vampires Fear Of The Day


Now that we’ve stripped the vampire of all his buddies, let’s address the issue of the burning light of day. There are two lines of thought when it comes to a vampire and the sun. There’s the flashy screaming and hissing as the sunlight tears through the vampires skin like fire over paper. Then, there’s whimsical hissing as the vampire throws his cape over his face and scrabbles for his trusty pair of sunglasses. It’s been my consideration that it didn’t make much sense that any sort of predator could fall victim to such a violent and immediate end. What evolutionary advantage would there be in exploding in flames, what adaptation would cause that?

What would make sense is that vampires would be adapted to dark, wet environments. The pupils of their eyes would be dilated out so that they could seek their prey. Direct sunlight would hurt their eyes and their skin would dry out as the sun kissed their skin.. I kind of envision vampires as a kind of large, bipedal fish, much like the Creature From The Black Lagoon, except they drink blood rather than doing whatever the hell the Creature from The Black Lagoon does. I, honestly, have no idea.