Showing posts with label Horror. Show all posts
Showing posts with label Horror. Show all posts

Tuesday, October 8, 2013

A Mouthy, 25-YEAR-OLD Dick-Head's Open Letter To A U.S. Representative

Dear, Congresswoman Nikki Tsongas

When America behaves as a homogenized whole, we are capable of extraordinary things. In World War II, we were the Goliath; we were the Incredible. Unfortunately, America has stopped behaving like a homogenized whole. A fist is not made up on any individual finger. It’s made up of an entire hand.
On October 1st, 2013, the U.S. Government was forced to shut down due to a failure to set a clean budget. This was not due to some insurmountable issue. It’s due to politics. Some may suggest that Politics is an insurmountable issue, but I believe that, like with a gangrenous finger, there is a solution, all-be-it unpleasant. Diseased flesh must be excised from healthy tissue. According to Politico.com, Congress’s current Approval Rating stands at 11%, while Congress’s incumbency remains near 90%, as reported by the Washingtonpost.com. Why?
These are elected officials. Their presence can only be blamed on the electorate. Congressmen who are comfortable in their elected offices; who grope for hands to shake and slobber on babies around election-time, but only keep the campaign promises that are made behind closed doors  should probably be brought up for re-elections  while their empty-promises are still fresh in the populous’ mind. If Congressmen work harder to keep their seats (and lobbyist money) around election-time, then let election-time be a perpetual truth.
I also feel that the behavior of a Congressman in Texas affects my life in Massachusetts. A handful of elected officials managed to ensnare an entire nation in a pity squabble. The entire nation, as of the writing of this letter, is heading toward an economic shutdown and these men and women threatening to allow it to happen. If a Congressman from Alabama, Arizona, Iowa, Georgia or Florida has the ability to negatively affect my life, I feel that I should have the ability to negatively affect his position. Should Congressmen behave in an obstructionist way, seeming for the sake of being obstructionist, there should be a readily available way of recalling that Congressman. I am calling for National Recall Voting for Senators and Congressman based on polling data. Many of these problematic politicians are protected because the electorate of their state cast votes against the Presidency instead of for any given Congressman.  If these Congressmen were exposed to voting on a national level, many of them would fall to the wayside.  
Thank you for time and attention.
Sincerely,

Mouthy Dick-Head

Thursday, August 8, 2013

Evil Tom Hanks


Sgt. George Tucson is escorted into a cold, nearly-unadorned room by two stony-faced MP officers. Tucson sits in a metal chair and rests his elbows on a scuffed, metal table. The room smells like bleached steel, like blood scrubbed clean with Clorox. The two MP officers shuffle out the door, slamming it shut behind them. There’s a crackle cutting through the air and Tucson flinches. Tucson can hear a mild buzz humming through the room and then, he can hear a man clearing his throat.

 

“Hello, Sgt. Tucson. How are you today?” The man sounds old. Possibly, he’s in his fifties. Possibly, he’s in his sixties. Tucson isn’t exactly sure.

 

“Really? I’ve been sleeping on a metal cot for the past two weeks. I’m pretty sure you’ve been feeding me dog food.” Tucson says, staring at a blank wall. He isn’t sure where he should be looking.

 

“The U.S. Government isn’t known for its hospitality, Sgt. Tucson.” The man says.

 

“You should tell someone to rip that plaque off the Statue of Liberty. ‘Give us your tired, your poor, your yearning masses hoping to breathe free…’” Tucson says.

 

“Yeah, but nowhere did you say, ‘We’ll be nice about it.”’ The man says.

 

“That’s fair. Want to get this show on the road. Ask me what you’re going to ask me. I got a cold bowl of Alpo waiting for me.” Tucson says.

 

“Okay. Tell me about E.T.H.” The man asks.

 

“E.T.H. or Evil Tom Hanks was an Underground Governmental experiment gone wrong. E.T.H was an attempt to turn Tom Hanks in inherent trustworthiness and every-man charm into a weapon.”

 

“Are there practical applications for Every-man charm?” The man says with a dry sarcasm.

 

“Fuck you. That Every-man Charm led to the death of every man in my platoon.” Tucson spits out onto the room’s cement floor.

 

“I’m listening…” The man says.

 

“The U.S. Government, you guys, illegally obtained Tom Hanks’ DNA when he cut his hair after Angels & Demons wrapped. From his hair, government scientists isolated the ‘Hanks’ gene. From there, they cloned Tom Hanks, removing everything that they perceived as weaknesses.” Tucson says. He runs his fingers through his hair and close his eyes, holding back tears.

 

“It worked. It worked too well. They were cautious. They held him in a cell. Monitored him day and night. They kept him muzzled and in chains. And they were surprised that he went crazy. I saw the security footage. I saw him tapping his fingers against his cell window, staring out at his guard. I couldn’t quite see the look E.T.H. gave the guard and that’s why I’m here today. The guard broke protocol. He opened up the cell and undid the muzzle on E.T.H. The two of them were shaking hands. E.T.H. had his hand on the guard’s shoulder. The two of them started walking down the hallway. E.T.H. fell back a step and then wrenched the guard’s neck, snapping it. Nobody would shoot him. People were actually stepping over their fallen friends, looking for an autograph. E.T.H. actually took the time to take photos and sign scraps of paper before he smashed their skulls in, or gored their eyes out. E.T.H. is out there, in the world, killing. I’m only here because I hid. I hid with my eyes closed and my hands clasped over my ears.” Tucson puts his head down on the table and tears pearl down onto the surface. 

Thursday, August 1, 2013

Book Review: The Talisman By Stephen King And Peter Straub


Book Review: The Talisman


By Stephen King and Peter Straub

Summary:

Lily Cavanaugh, the Queen of the Bs, is dead. Her body is eating itself and her son, Jack Sawyer, is helpless to stop it. The two of them flee to New Hampshire during Lily’s last days. Held up in a lonely hotel room, Lily smokes pack after pack of filter-less cigarette, poisoning her rotting lungs. Jack wanders the boardwalk before the hotel, not wanting to watch his mother die. He meets an old African-American Maintenance man in the shadow of a wooden Ferris wheel. This man claims that Jack can, indeed, save his mother. There’s a world beyond this one that has magic like we have physics. A magical talisman from that world can burn the cancer out of his mother’s body. This man, Speedy, sends Jack on a journey across America on this side and the Territories on that one. Jack’s Uncle Morgan seeks this Talisman as well. Uncle Morgan may have killed before and may kill again in his such for this powerful artifact.

 

Impressions:

The Talisman has the flavors of one of my favorite series, The Dark Tower. In Black House, they adopt the Dark Tower openly. I wondered if this novel qualified as a Young Adult novel, considering that Jack, the protagonist, is twelve-years-old. On his journey across America, Jack encounters things that the YA genre would run, screaming, from. Although Jack is in danger of being murdered a number of times in the novel, it pales in comparison to the fact that he was almost raped by what could only be described as a crazed Were-goat. This novel takes place in the 1980’s and to be honest, it does feel a little dated and possibly offensive. While hitch-hiking, Jack encounters a number of adult, homosexual men who inevitably offer Jack money for sexual favors. It’s presented as more of an annoyance than something truly horrific. Possibly, it was common for homosexual men to proposition twelve-year-old boys in 1981, but it reads truly strange to my 2013 eyes. I also had a problem with the characterization of Speedy Parker, Jack’s mentor. I think they were going for an old Blues singer feel to Speedy, but it read a little like a Southern Black cartoon. I still feel that this remains a good novel in spite of these flaws. When the novel is good, it’s really good and when it stumbles, it hits the ground hard.     

Wednesday, October 10, 2012

Movie Review: The House at the End Of the Street (Spoilers)



The House at the End Of the Street was released September 21st, 2012 in the United States and a 101 minutes run time. Directed by Mark Tonderai. Screenplay by David Loucka. Starring Jennifer Lawerance, of Hunger Games fame.

Summary:
A teen and her mother move from the crime ridden Chicago to a rural town.

Impressions:
The House at the End Of the Street is an able horror film, though it doesn't have much in the way of surprises. This film follows the time-tested horror film formula which has been subverted time and time again (i.e. The Last House on the Left, the original Scream and The Cabin in the Woods.) This time-tested, possibly out-dated formula relies on violation and punishment. The main character, Elisa, finds themselves punishment for violating the societal  expectations of her new town by befriending someone that the town had shunned, Ryan. Of course, because she did that, she has to be punished according to this formula.

Tuesday, March 6, 2012

It Isn't Funny Anymore


Anyone can live in Lowell, Massachusetts, because everyone’s all ready there. It’s a strange melting pot interwoven with man-made canals and cobblestone roads. Lowell is a city, drug addicts and all, but there’s a childlike stupidity running wild, a childlike stupidity that would be crushed in other cities. Pull up a chair and listen in on a conversation at the end of the night in some shadowy corner of Lowell; over a beer at the Blue Shamrock or with a cigarette pinched between your fingers in front of a 24-hour convenience store. What you’ll hear, more often than not, is the preamble, “We were just fucking around and…” Most of those stories end with black eyes and arrest records.

Wait by the Bridge St. bridge, where the new C V S sits and where the Tavern by The Bridge and Russo’s Music died. If you wait long enough, you’ll see a car load of teens coughed in clouds of marijuana smoke. They’ve got open cans of Milwaukee’s Best at their feet, just daring the cops to stop them, which happens, but has failed to happen yet. These kids are crawling down the street, calling out at pedestrians. Here, before the bridge and the polluted Merrimack, which turns brown on clear days, these teens call out to a pedestrian traveling in his own cloud. They stop at the red light and as it switches to green, a skinny sixteen-year-old with redden eyes and a red sweat shirt hangs out the rear passenger window and screams, “FAGGOT!” The pedestrian and the boy have had no prior knowledge of one another, but for that moment, they are mortal enemies. The boy screamed it for the thrill of upsetting someone and getting away with it. He’s confidence that his friend will floor the gas, leaving the pedestrian to scowl in the streetlight glow.

The pedestrian has done a few bumps of the stimulant, cocaine. The driver, whose had his license for all of a month, has been drinking the depressant, alcohol. The driver sees the pedestrian charge, his eyes burning red and he turns, accidentally putting his weight on the emergency brake. The boy in the red sweat shirt spills back into the car and urges the driver to drive. Were the emergency brake not on, they would have shot across the bridge and probably smashed into a parked car on the other side. As it occurs, they trundle on to the bridge as the pedestrian on cocaine surges toward them. The pedestrian swings a fist like a wrecking ball into the rear passenger window, moments after the boy in the red sweat shirt rolls it up and the driver realizes why his vehicle is filling with the smell of burnt rubber and spent petroleum. The driver pulls the emergency brake, the glass shatters, cutting the face of the boy in the red sweat shirt and then the driver stamps down on the regular brake. The driver’s ire is up. After all, they were only fucking around.

“What the fuck? What’s wrong with you?” The driver barely meets the eye line of pedestrian on cocaine, but he’s sure that, even now, this is only a game. He’s playing the tough guy and the pedestrian is supposed to scamper away. The pedestrian doesn’t scamper away. He puffs his chest and his face begins to redden to the color of a ripe cherry. Even now, the driver doesn’t realize that the pedestrian is going to viciously beat him until the cops come. Neither the pedestrian nor the car full of teenagers realizes that there is a small crowd gathering. No one is considering calling the police to stop the incident that’s about to happen. There’s a police dispatch office right inside the C V S. There used to be a Centerville precinct, but now that's a Metro PCS. The crowd wants to see the tiny driver boy get his face smashed in, not because the teens have been terrorizing the streets, but because there’s a meanness in Lowell. There’s a love for something horrible to happen.

The rest of this scene can be assumed. Assume that the pedestrian smashes the driver’s face in. Assume that the boy in the red sweat shirt swarms away into the crowd, hoping not to be noticed by the raving pedestrian. Assume that one or more of the other boys from the car spill out in aid of the driver who’s sprawled out in the middle of the street. You can’t, however, assume that everything ends well. There isn’t anyone you’d hope to be happy so, how can things end happily. The cocaine-fueled time bomb or the teenager assholes, who were narrowly spared from spilling off the edge of the green, metal bridge. Even the spectators don’t care.

Try this. Down the street from the Robinson Middle School, rolling down the hill, you’ll find dull music seeping from a single-story ranch house and across a leaf scattered front lawn. This isn’t an insane house party. It’s five young friends sipping beers and telling stupid jokes while the surround-sound works through an alternative rock play list. One of the five friends would have been graduating as valedictorian, but a woman coming home would be dressed in his best black suit and dropped down six feet.

The woman, a sister of one of the friends, is coming home from an explosive and confusing argument. It was explosive because her boyfriend refused to explain a pair of plain white panties crammed in between two couch cushions. It was confusing because the argument had been preceded with a handful of multicolored pills and a full bottle of Vodka. The woman comes home in a haze of rage and confusion and sees a house full of laughter and pleasure.

The woman demands that the friends leave and the sibling to the woman attempted to calm her down. This attempt drove the woman deeper into her rage and she goes into the kitchen and picks up a knife, but doesn’t intend to use it. This, again, is a game. She expects to scare them out the door. The one friend that would have been a valediction must know that she was playing a game. He has ever intention of leaving, but not without his coat. The woman screws up her and shoves him, shoves him away, forgetting that she has a knife in her hand. The would-be valediction isn’t a bad guy, but he pushes her back. She pushes harder, her free hand hitting his chest, her hand holding the knife hitting his soft belly. The knife pokes into his stomach and she actually falls into it, driving the blade into him. Her foot, somehow, hooks onto her other and she falls, accidentally stabbing and ultimately killing the would-be valediction.

The woman swears, again and again through a wash of tears, that she completely forgot that she had the knife. She swears that she didn’t mean it. She swears that she just wanted them to leave, that if he would have just left, it wouldn’t have happened. She ends up in the back of a cop car and is driven away. The valediction survives for a few four hours, but the blade had sliced into his kidney as well as part of his intestine. His blood is becoming toxic and he dies with tears in his eyes.

There’s a third game. This one isn’t that far from the house where the five (now four) friends gathered. Right off of Bridge St. where the young driver got his teeth knocked out, two brothers live. One brother is closer to thirty than twenty and the other is midway between zero than ten. These two brother live under there mother’s roof. The older brother does not work. He does not going to school. He has no girlfriend. He has no prospects. All he has is a pump-action BB gun that he’d spray painted black, a cigar box filled with marijuana and a black, leather bag where he stores his works and small, plastic baggy filled with heroin.

The older brother knows that his existence under his mother’s roof is very tenuous. His mother knowing he uses heroin would push him over the edge and out the door. Knowing this, he ties up and shots up behind a locked door. He doesn’t get very high on heroin, although that is getting very hard. His mother works two jobs and therefore has given the older brother one job. He has to be awake and at the corner for his younger brother. Children of a certain age are not allowed to just walk inside their homes. They need to be accompanied by someone. The older brother is expected to be that someone.

The older brother goes around this rule, part way at least, by wearing the bus driver down. Inside of being at the corner, the bus driver allows the older brother to just pull back the living room and wave. Confirmation that someone is home and ready to take responsibility for the young child. The older brother doesn’t quite like this arrangement because he can’t get high in the living room. He might nod off and leave his works in plain sight. He could smoke pot, however. He just had to blow the smoke out the window. Marijuana wasn’t the same as heroin, though.

Sometimes around noon, the older brother gets a little high and goes out into the backyard and shots his BB gun at beer cans. There’s a high wooden fence in the backyard that normally catches any stray projectiles. It’s this fact that assures the older brother that he is being responsible. Nothing is being damaged and no one is being hurt.

It is one of these days that the older brother decides to play a game with his younger. The bus driver is in a hurry. The older brother is in the backyard with the BB gun. The bus driver leaves without checking the window for the brother. The young comes in and calls for the older. The older hears and decides to play a trick. He’s a little high and doesn’t realize how stupid the trick is. He’ll jump out and scream POW while aiming the BB gun. The younger brother will have a good scare and they’ll have a good laugh. He plays the trick.

A BB is released from the BB gun and shots the younger brother in the eyes. The shot is fired at almost point blank. The BB rips though the younger brother’s eyes and drives into his brain. The younger brother doesn’t scream, but just fells down and the older brother is certain that he has killed his younger brother. His brother isn’t dead, but he isn’t moving either. The older brother isn’t high anymore. It isn’t funny anymore. He remains still and stares at his younger brother who is stretched out on the living room floor. He wants to be high again. He gets high, bringing his black bag into the living room. He keeps going to the telephone, knowing he should be calling someone. He doesn’t. He just gets high, the syringe plunging into his forearm. He doesn’t know what to do. He considers claiming that he had found his brother stretched out on the floor, that his brother had snaked the BB gun from under the older brother’s bed. He abandons the lie and smokes some more pot. There’s a long silence in the living room and the older brother wishes that he would nod off, but murder seems to have gotten him too jacked up.

The little brother isn’t dead, but he is dying. He’s wet himself and his urine is soaking the carpet. Drool is rolling down his cheeks. He has no control of his eyes and eyelids, so he can only stare up at the ceiling and his vision is fizzling away at the edges. There’s a spot on the ceiling, a water stain that looks a little like Jesus. He knows that he is dying and no one is doing anything about it and he wants the Jesus on the ceiling help him, but he just stares down with sad eyes.